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How To Care For Muslin Photography Backdrops

   
Author: Kimberle Balsman
< P > A s u c c e s s f u l p h o t o g r a p h y s t u d i o m u s t b e a b l e t o o f f e r i t s c l i e n t s a v a r i e t y o f b a c k g r o u n d s . A l t h o u g h s e a m l e s s p a p e r b a c k d r o p s a r e v e r y e f f e c t i v e a n d c o m m o n l y u s e d i n c o m m e r c i a l s t u d i o s , I p r e f e r t o u s e m u s l i n b a c k d r o p s i n m y s t u d i o . < / P > < P > M u s l i n b a c k d r o p s a r e s i g n i f i c a n t l y m o r e e x p e n s i v e t h a n s e a m l e s s p a p e r a n d r e q u i r e m o r e s t o r a g e s p a c e a n d c a r e . H o w e v e r , t h e y p r o v i d e i n t e r e s t i n g t e x t u r e s a n d m o r e r e a l i s t i c b a c k g r o u n d s f o r m o r e s o p h i s t i c a t e d s t u d i o w o r k . M u s l i n b a c k d r o p s v a r y f r o m v e r y s i m p l e , s i n g l e c o l o r b a c k g r o u n d s t o c o m p l i c a t e d , h a n d - p a i n t e d w o r k s o f a r t . L i k e w i s e , t h e y r a n g e i n p r i c e f r o m $ 3 0 t o u p w a r d s o f $ 4 0 0 p e r b a c k d r o p . T h u s , i f y o u d e c i d e t o i n v e s t i n m u s l i n b a c k d r o p s , y o u c e r t a i n l y n e e d t o k n o w h o w t o c a r e f o r t h e m p r o p e r l y . < / P > < P > H e r e a r e a f e w t i p s I h a v e f o u n d h e l p f u l i n c a r i n g f o r m u s l i n b a c k d r o p s : < / P > < P > W a s h i n g - I h a v e p u r c h a s e d a v a r i e t y o f m u s l i n s f r o m v a r i o u s m a n u f a c t u r e r s . S o m e w i l l i n d i c a t e t h a t m u s l i n s c a n b e h a n d o r m a c h i n e - w a s h e d . O t h e r s v e h e m e n t l y i n s t r u c t y o u N O T t o w a s h t h e m . I h a v e f o u n d t h r o u g h e x p e r i e n c e t h a t w a s h i n g m u s l i n s w i l l q u i c k l y d e g r a d e t h e i r q u a l i t y a n d h a s t e n y o u r n e e d t o r e p l a c e t h e m . I w o u l d a v o i d w a s h i n g m u s l i n s u n l e s s a b s o l u t e l y n e c e s s a r y . < / P > < P > S t a i n s o r S o i l - I f y o u r m u s l i n b a c k d r o p b e c o m e s s t a i n e d o r s o i l e d , t r y t o s p o t t r e a t u s i n g a s c r u b b r u s h a n d m i l d s o a p a n d w a r m w a t e r . N E V E R u s e b l e a c h o r h a r s h , a b r a s i v e d e t e r g e n t s . I f t h e s t a i n r e s i s t s s p o t t r e a t m e n t , y o u m a y n e e d t o s o a k t h e a r e a i n a w a r m w a t e r a n d m i l d s o a p s o l u t i o n o v e r n i g h t . Y o u c a n d r a p e t h e b a c k d r o p o v e r a t u b , s t r a t e g i c a l l y p l a c i n g t h e s p o t o v e r t h e t u b a n d p l a c i n g a s m o o t h b u t h e a v y o b j e c t o n t h e s p o t t o h o l d i t i n t h e s o l u t i o n . I f t h i s c o u r s e o f a c t i o n f a i l s t o r e m o v e t h e s t a i n , y o u m a y h a v e n o c h o i c e b u t t o u s e a m o r e p o w e r f u l d e t e r g e n t o r , p e r h a p s , O x y C l e a n . K e e p i n m i n d , h o w e v e r , t h a t y o u m a y d a m a g e t h e b a c k d r o p a n d h a v e t o i n c o r p o r a t e t h e d a m a g e d a r e a i n t o y o u r p h o t o b a c k g r o u n d , s h i f t i t o u t o f y o u r c a m e r a s v i e w , o r s i m p l y p l a c e y o u r s u b j e c t ( s ) i n f r o n t o f t h e s t a i n . < / P > < P > C r e a s e s a n d F o l d s Y o u r m u s l i n b a c k d r o p w i l l a r r i v e h e a v i l y f o l d e d , a s t h e r e i s s i m p l y n o o t h e r w a y t o s h i p a h e a v y , b u l k y m u s l i n b a c k d r o p . I f y o u k n o w y o u w i l l n o t n e e d t o u s e t h e b a c k d r o p f o r s e v e r a l d a y s , s i m p l y h a n g i t o n y o u r b a c k d r o p s u p p o r t a n d a l l o w g r a v i t y t o w o r k f o r y o u . I f y o u c a n n o t w a i t s e v e r a l d a y s t o u s e t h e b a c k d r o p o r i f t h e c r e a s e s a n d f o l d s a r e s t i l l v i s i b l e , u s e a h a n d - h e l d f a b r i c s t e a m e r . I u s e a C o n a i r c o m p a c t f a b r i c s t e a m e r ( m o d e l G S 4 , e s t . r e t a i l $ 3 0 . 0 0 ) w i t h g r e a t r e s u l t s . F o l l o w t h e i n s t r u c t i o n s i n c l u d e d w i t h t h e s t e a m e r a n d b e c a r e f u l n o t t o r u b t h e m u s l i n w i t h t h e s t e a m h e a d . I n t h e a b s e n c e o f a f a b r i c s t e a m e r , y o u c a n ( i f y o u a r e b r a v e ) a l l o w y o u r b a c k d r o p t o l a y o u t s t r e t c h e d o n a c l e a n , n o - t r a f f i c p o r t i o n o f y o u r y a r d o v e r n i g h t . T h e n a t u r a l d e w w i l l h e l p t o r e m o v e m o s t o f t h e w r i n k l e s a n d f o l d s . < / P > < P > I r o n i n g J U S T D O N ' T D O I T ! I r o n i n g y o u r m u s l i n s w i l l c r e a t e n o t i c e a b l e , s h i n y h o t s p o t s i n y o u r b a c k d r o p a n d r u i n t h e m a t e r i a l . < / P > < P > D u s t a n d H a i r M u s l i n b a c k d r o p s , l i k e e v e r y t h i n g e l s e i n y o u r h o m e o r s t u d i o , w i l l a t t r a c t d u s t a n d h a i r . T o r e m o v e d u s t , s i m p l y s h a k e t h e m u s l i n a s y o u w o u l d a n y o t h e r l i n e n . T o r e m o v e c l i n g y p e t o r h u m a n h a i r , u s e a l a r g e l i n t r o l l e r ( e s t . r e t a i l $ 4 . 0 0 ) . T h e y w o r k f a n t a s t i c a n d w o n t b r e a k t h e b a n k . < / P > < P > S t o r a g e I t s b e s t t o r o l l y o u r m u s l i n b a c k d r o p s i n t o a b a l l w h e n s t o r i n g t h e m . N a t u r a l w r i n k l e s , n o t p a t t e r n e d f o l d s a n d c r e a s e s , c a n a c t u a l l y e n h a n c e y o u r b a c k d r o p a n d c r e a t e e v e n m o r e t e x t u r e , w h i c h a d d s t o t h e r e a l i s m o f y o u r b a c k d r o p s . M a n y p h o t o g r a p h e r s l i k e w o r k i n g w i t h w a v y , n a t u r a l l y w r i n k l e d b a c k d r o p s . I f y o u r p h o t o s h o o t i s c a s u a l , t h e n y o u c a n c e r t a i n l y g e t b y w i t h u s i n g o n e . I f , h o w e v e r , y o u w i l l b e d o i n g f o r m a l , m o r e s e r i o u s w o r k , I w o u l d h i g h l y r e c o m m e n d r e m o v i n g a s m a n y o f t h e w r i n k l e s a s y o u c a n b e f o r e t h e s h o o t . I l i k e t o s t o r e m y m u s l i n b a c k d r o p s , r o l l e d i n b a l l s , i n l a r g e p l a s t i c t u b s . T h i s h e l p s t o e l i m i n a t e e x c e s s i v e d u s t f r o m c o l l e c t i n g o n t h e m a n d m a k e s i t e a s i e r a n d f a s t e r f o r m e t o s i m p l y s h a k e a n d h a n g t h e m w h e n n e e d e d . < / P > < P > M u s l i n b a c k d r o p s , w h e n p r o p e r l y c a r e d f o r , c a n l a s t a n u m b e r o f y e a r s . T h e y r e p r e s e n t a s i g n i f i c a n t i n v e s t m e n t i n y o u r p h o t o g r a p h y b u s i n e s s . I h o p e t h e s e t i p s w i l l h e l p y o u t o b e t t e r p r e s e r v e t h e q u a l i t y a n d i n t e g r i t y o f y o u r m u s l i n b a c k d r o p s . < / P > < P > B a l s m a n P h o t o g r a p h y , L L C . < / P >
Author Bio:

Kimberle Balsman

Kim Balsman is the chief photographer and owner of Balsman Photography, LLC, a small, professional photography studio in Longmont, Colorado. Kim’s background is diverse, including formal education in communications and law at Truman State University and the University of Houston, as well as professional photography studies at the New York Institute of Photography. Kim spent more than a decade working as a paralegal, practicing in numerous legal specialties with law firms in Texas. Throughout her career, Kim has written thousands of legal documents but prefers the creativity of writing short stories, novels and journalistic pieces. Some of her work has been published in corporate magazines. Kim has lectured at entrepreneurial symposiums and educational facilities and led an initiative to help small printing franchisees compete for demanding legal document reproduction business. Kim enjoyed a brief career in real estate as a Century 21 agent in New England, grossing more than two million dollars in sales in a matter of a few months. She now devotes her full time to her photography business and writing. Kim and her husband, Bob, have two teenage children and enjoy all the many aspects of living in Colorado.

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